AVID Pro Tools HDX
Het vlaggenschip DAW van AVID, het meest gebruikte opname- en mix systeem in de meest gerenommeerde studios waar ook ter wereld. Te gebruiken vanaf een Apple Mac mini® tot een Apple Mac Pro®. Sample rates vanaf 44.100Hz tot 192.000Hz, max. 256 In-Outputs. Lees hier het complete overzicht van de specificaties…
AVID Pro Tools HD Native
Dit is de Native variant op het HDX systeem van AVID. Je hebt hier de IO hardware van AVID gecombineerd met de processing power van je computer in één! Maximaal 64 in- en uitgangen, Samplerates van 44.100Hz tot 192.000Hz, max. 256 tracks. HD Native is verkrijgbaar in een PCI-e kaart- en Thunderbolt versie… Lees hier het complete overzicht van de specificaties.
Elevate your sound with pristine conversion and powerhouse monitoring
Looking for the purest, most detailed sound quality and expansive routing and monitor control possible in your sessions? You just found it. The versatile new Pro Tools | MTRX audio interface is coming soon for Pro Tools | HDX and HD Native. Get the superior sonic quality of DAD’s legendary AD and DA converters—plus incredibly flexible monitoring, I/O, and routing capabilities—all in a powerful unit that integrates seamlessly with Pro Tools | S6 and S3.
With Pro Tools | MTRX, you’ll be able to…
- Gain extended monitor control and flexible routing with S6, S3, and other EUCON surfaces
- Use the converter as a high-performance 64-channel Pro Tools | HD interface
- Connect and route your entire studio through AES3, MADI, Dante, and/or SDI I/O*
- Add high-quality mic preamps as an option and remotely control them from Pro Tools
- Customize MTRX for your needs through eight available 8-channel card slots
- Keep everything in sync through Word Clock, AES11, Video, and all digital I/O
- Get automatic sample rate conversion on inputs
- And much more
HD I/O 8x8x8
When you need a balance of analog and digital I/O, with the option for expansion, 8x8x8 is the perfect choice for music and audio post. It offers 8 channels of analog I/O, 8 channels of AES/EBU I/O, 8 channels of TDIF I/O, and 8 channels of ADAT (S/MUX) I/O. It also comes with 2 additional channels of AES/EBU I/O, 2 channels of S/PDIF I/O, and 8 additional channels of ADAT I/O. Plus, you can customize your I/O further with one empty bay for expansion play.
HD I/O 16x16 Analog
Get the maximum complement of analog inputs and outputs with the 16x16 Analog configuration—the ideal choice for music production. It offers 16 channels of analog I/O, 2 channels of AES/EBU I/O, 2 channels of S/PDIF I/O, and 8 channels of ADAT (S/MUX) I/O. While all four I/O bays are occupied with this option, you can swap out any of the analog cards with a different option card to customize.
HD I/O 16x16 Digital
For audio post-production work, the 16x16 Digital configuration is ideal if you frequently need to interface with a digital mixer, additional Pro Tools rig, or other digital infrastructure. It offers 16 channels of AES/EBU (S/MUX) I/O, 16 channels of TDIF I/O, 16 channels of ADAT I/O, 2 additional channels of AES/EBU I/O, 2 channels of S/PDIF I/O, and 8 additional channels of ADAT I/O. Plus, you have two empty bays to expand your I/O even further.
HD I/O Option Cards
As your needs grow or change, it’s easy to add more analog or digital I/O—just install an option card. You have three to choose from. The HD I/O AD Option adds 8 analog inputs. The HD I/O DA Option adds 8 analog outputs. And the HD I/O Digital Option adds 8 I/O channels each of AES/EBU (with single- and dual-wire 192 kHz support), TDIF, and ADAT (supports S/MUX II and IV).
Hear what you’ve been missing
If you’re familiar with our older “blue” Pro Tools | HD interfaces, your ears are in for a major treat. Experience significantly better audio fidelity, wider dynamic range, and super-low jitter thanks to sophisticated A/D and D/A conversion and a new analog front-end. Capture and play back every audio detail. Retain the warmth and presence of your original sources. And get the lowest possible latency when recording.
Track, mix, and monitor in one
With HD OMNI, you can do it all with a single rack space interface—whether you make music or create sound for picture. Capture high-quality instrument and vocal performances (with 4x8 analog or 8x8 digital support). Record overdubs, or track ADR and Foley for a soundtrack. Provide cue mixes for artists. Hear your own discrete mix. Monitor in stereo or up to 7.1 surround right from the front panel. And because there’s no need to route signals across multiple interfaces, you save both time and money.
Listen your way
Choose how you want to listen… Hear mixes in stereo or surround. Monitor through speakers or your cans. Create a personal mix for performers while listening to your own. Compare a mix on different speaker sets. And if you don’t feel like launching Pro Tools, HD OMNI also functions as a persistent mixer, so you can monitor a keyboard, drum machine, or music player independently from your recording setup.
Optimize your sound
Connect your digital gear without the hassle, with built-in sample rate conversion offered on all digital inputs. Maximize your analog input signals, without any harsh clipping, with the soft clip feature. Plus, you’ll be able to track hotter signals and smooth out inconsistent levels from incoming sources.
Sync your studio
Keep your Pro Tools rigs and other connected gear in sync—no matter how massive your media production. Designed for Pro Tools | HD systems, Pro Tools | SYNC HD is the ultimate low-jitter master clock, providing near sample-accurate lock to serial timecode. It’s a must when working with large-scale music and soundtrack productions. If you have multiple audio interfaces and digital devices in your studio, SYNC HD offers the stability, consistency, and reliability you need to keep everything running smoothly. And with its new lower price, commanding precision is even easier than ever.
Maintain the highest audio fidelity and performance across Pro Tools | HD and all connected devices. With SYNC HD, you have a reliable, low-jitter master clock ensuring that all audio signals are captured and played back with complete precision and accuracy, so you get pristine, distortion-free audio. And it supports all Pro Tools | HD sample rates, from 44.1–192 kHz.
Clock to a variety of sources
SYNC HD supports all major industry-standard clock sources and timecode formats used in audio, video, film, and multimedia production. These include Loop Sync, Video Reference, Linear Timecode, Word Clock, and more.
Set a positional reference
To maintain the highest level of sync accuracy over long periods of time, SYNC HD also supports positional reference sources. These include Linear Timecode (LTC), Vertical Interval Timecode (VITC), Serial Timecode, and Bi-phase/Tach.
Get locked in
When used with Pro Tools | HD systems, SYNC HD provides highly accurate lock to timecode, making it essential for commercial music and post production. If you’re using Satellite Link to control multiple Pro Tools | HD systems, you’ll need one or more interfaces. You can remotely control the interface from your Pro Tools | HD system, or use SYNC HD standalone. It also provides standard pull-up and pull-down rates, making it easier to work with film and video projects.